The Biblio Blogazine

Reviews, Opinions, and More

The Biblio Blogazine - Reviews, Opinions, and More

Rough Seas

It’s been rough seas for book lovers. Not only are the soothsayers continually ringing a death knell for publishing, but for libraries, booksellers, and *gasp* readers. It’s hard to fathom that the book and those that read for pleasure are inextricably connected and will go the way of the rotary phone and floppy disk, but more and more pundits are predicting just that.

People may not be reading as much as they used to, but the ones that do are loyal – very loyal. However there is a growing impediment and it’s not technology, it’s pricing and availability. That is why when many are looking for their next read, they tend to go for a deal (Amazon) or go free (library).

Publishers need to do what they can to stay in the black, not to mention pay authors their fair share. I understand that. But I’m not sure why they haven’t realized that we wouldn’t go cheap or free if we didn’t have to spend upwards of $35 for a brand new hardcover. It’s no wonder Amazon has grown to be the megalithic beast it’s become.

Digitizing books seemed such a great idea. An invention to make reading more convenient, economical (hard to type with a straight face, but I did), and help literacy grow instead of stagnate.

In a recent ALA report, they seem to hit the nail on the head:

Because of the fundamental shift facing trade publishing, including the entry of retail companies that currently dominate the ebook market, publishers and authors have much to gain from enabling libraries to distribute ebooks. There is compelling evidence that during periods of technological, social and economic change, people use libraries more. With many bricks-and-mortar bookstores closing, publishers need new ways to “showroom” their titles. Publishers may be willing to offer more favorable terms and lower prices in exchange for specific accommodations.

Yet, instead of working with libraries to help them make it this new technological age, they have spent well over a year bickering over pricing and availability. Meanwhile Amazon is laughing all the way to the bank, which reminds me of something I quoted in an earlier blog post:

There hasn’t been enough discussion about the role that the ongoing battle between Amazon and the Big Six plays in the problems arising with ebook lending. While lending has been a concern for the publishers in terms of trying to prevent piracy and protect the interests of the authors, there didn’t seem to be this much fighting over ebook lending until OverDrive became compatible with Kindle e-readers. Once that compatibility was put in place, publishers quickly began pulling their titles from ebook lending, suddenly citing these concerns that, oddly, were not all that troublesome before. – Mercy Pilkington – Libraries, Patrons to Pay the Price in Random House’s eBook Lending

[For those of you still unfamiliar with the particulars, check out A Guide to Publishers in the Library Ebook Market by Michael Kelley.]

Stuck In The Middle With You

A business model is needed, but not one model will work for everyone. Right now, the only option for publishers and libraries is to negotiate aggressively for what will benefit them the most. In the middle, wanting affordability and availability are consumer’s and patrons who wonder if our concerns are being considered, let alone addressed. I like what the ALA has proposed, but know in my heart several of the publishers don’t see it the same way:

  • All ebook titles available for sale to the public should also be available to libraries.
  • Libraries should have the option to effectively own the ebooks they purchase, including the right to transfer them to another delivery platform and to continue to lend them indefinitely.
  • Libraries need access to metadata and management tools provided by publishers to enhance discovery for ebooks.

Even the current ALA president feels all these may not be “feasible, and a library may elect to do without one or more in return for more favorable terms”, but these options are important and not just for the library, but for the patron. I hate sounding like a broken record, and I know I’m not the only one, but libraries can be a relevant and profitable sales channel for publishers. Especially in areas that have lost their bookstores to the economy and competition with big box stores and online retailers.

A Spark Of Hope

In an almost too good to be true scenario, Random House has stated, and stands by its assertion that they “sell copies of [their] ebooks to an approved list of library wholesalers, and those wholesalers are supposed to resell them to libraries. In [their] view, this purchase constitutes ownership of the book by the library. It is not a license.”

Hold the freakin’ presses. Skip Dye, Random House’s vice president of library and academic marketing and sales actually said that and then backed it up. You can read about it here. However, a licensing agreement of this type is not available with every vendor. As some Kindle owners know all to well, any ebook with DRM attached means they only own it as long as the originator says so. Vendors may promise ownership, but only the publisher can grant it.

I hope this works out and sets a precedent the other big publishers will take into account in future negotiations to get their ebooks back into the libraries. With my health issues, it’s not always convenient to be running back and forth to the library to get the physical books because I can’t download the digital versions. If I’m forced to make that kind of effort, I’d rather spend my money and gas getting a copy at the local, independent used bookstore. I’ll then donate it to Friends of the Library so they can raise money for the library, which needs all the financial help it can get.

*Tap Tap Tap* Is this thing on? Publishers, are you listening? You should be. As a consumer and library supporter, I get to say who benefits financially from my patronage.  So I’ll be keeping an eye on all these talks and hoping you finally realize that there are some great ways to generate revenue instead of animosity.

 

 

Sources quoted or used for this article:

 

Related Blog Posts”

Fall Reading

Fall is here and apparently, so is my reading mojo. If you thought I meant it another way, I’ve done that too, but that’s another post – if I ever get over the embarrassment.

I just can’t get over how many books I read last month. I read more in October than I did the entire summer.

Here is a list of what I read and no, I didn’t plan on it coming to exactly thirteen books. Just a spooky coincidence.

• Definitely Dead by Charlaine Harris (Book 6 – Southern Vampire series)
• All Together Dead by Charlaine Harris (Book 7 – Southern Vampire series)
• From Dead to Worse by Charlaine Harris (Book 8 – Southern Vampire series)
• Dead and Gone by Charlaine Harris (Book 9 – Southern Vampire series)
• Dead in the Family by Charlaine Harris (Book 10 – Southern Vampire series)
• Dead Reckoning by Charlaine Harris (Book 11 – Southern Vampire series)
 When She Woke by Hillary Jordan
• Matched by Ally Condie (Book 1 – Matched)
• Crossed by Ally Condie (Book 2 – Matched)
• Bitten by Kelley Armstrong (Book 1 – Women of the Otherworld)
• Stolen by Kelley Armstrong (Book 2 – Women of the Otherworld(
• Chime by Franny Billingsley
• Ganymede by Cherie Priest (Book 4 – Clockwork Century)

[FTC Disclosure: Of all the books listed above, eight of them are digital editions downloaded from the public library, the others are ones I purchased.]

For those looking for books that are great for traveling, beach reading, weekends at the cabin, etc. I highly recommend Sookie Stackhouse (Southern Vampire novels) and any of the series by Kelley Armstrong.

Be aware that in both the Sookie books and Kelley Armstrong’s, there is some strong language, violence, and sex. But it’s never gratuitous and sometimes it is a comedic element that adds fun in an otherwise dark story.

What I like best is how each author creates and develops her female leads. Flaws and all. She is also fair to the men, who run the gamut from downright bastards to knights in somewhat dented armor. Even with supernatural powers, the characters see their fair share of hardships that even their special natures cannot protect them from or solve.

Matched and Crossed are part of a Dystopian young adult series by Allyson Condie that had me hooked from the beginning. They aren’t as deep as the social science fiction of Ursula le Guin or as theme-driven as Philip K. Dick, but for a anyone wanting something to read after The Hunger Games trilogy, I’d say give this one a try.

When She Woke is another Dystopian tale that is a re-imagining of The Scarlet Letter. Funny thing is, another book remained strong in my mind while reading this book and it wasn’t Hawthorne’s. I kept thinking of The Handmaid’s Tale by Margaret Atwood. I’ll leave it up to you, when you read it, if you feel the same. If you like re-imaginings, I highly recommend Cinder by Marissa Meyer – a modern Cinderella story that teens and adults will enjoy immensely.

Chime is a historical fiction novel with elements of the paranormal. My only complaint is that the main character’s angst and self-hate were wearing me out by the time I got to the end of the book. However, the story itself (a mystery) and the author’s skill with language, kept me involved until the end to see Briony finally grow enough that she finally becomes likable.

The last book I read in October was Ganymede. Combining elements and characters from the first couple of novels in the series worked for me. Not every character was brought back, but just enough that the connection was immediate. New characters were integrated seamlessly, and the storytelling is forthright and flows well. I love the Clockwork Century books. As with Armstrong, Charlaine Harris, and Gail Carriger, many of their main characters are women who are flawed but likable and are balanced nicely against their male counterparts.

Whew! What a month, and November is on track to do the same:

• The Anatomist’s Apprentice by Tessa Harris (finished 11/02)
• Dime Store Magic by Kelley Armstrong (finished 11/4)
• Industrial Magic by Kelley Armstrong (in progress)
• Divergent by Veronica Roth (on deck)
• Forever Odd by Dean Koontz (on deck)
• The Passage by Justin Cronin (on deck)
• Darkly Dreaming Dexter by Jeff Lindsay (on deck)
• The Summoning by Kelley Armstrong (on deck)
• Haunted by Kelley Armstrong (on deck)

How is your Fall going? Do you have a list together or is reading on a whim more your style? Either way, you can never go wrong with keeping a book handy at all times. Never.

Not Until The Fat Lady Sings

I don’t spend as much time here as I usually do. Fighting cancer does that sometimes. It intensifies your focus making it difficult to multitask.

However, I’m never far from my feed reader. So when I come across something that ‘grinds my gears’, you bet I’m all over it and reaching for my keyboard.

My latest windmill to tilt came in the form of an article by Michael Levin which I read on The Huffington Post titled, “Publishers Weakly: What the Penguin/Random House Merger Really Means”.

Having worked in the corporate world, I know a thing or two about mergers, especially from the lowly view of a minion. It’s a fearful thing for those of us who know that when we hear the word “synergy”, it pretty much means that you’d better make sure to clear all personal things from your desk and hope you have enough in your savings account to cover things until you find work again.

So I can understand Mr. Levin’s sentiment when he saw that same word used in regards to the merger. One which he feels “represents one more death rattle of the once-thriving book publishing trade.”

Have we really given up?

I agree the book publishing trade is suffering. Their “feet on the street”, the local booksellers are being put out of business by big-box and online retailers. Readers are turning in greater numbers toward other mediums in order to access the written word. I get that. However, the following is what had my indignation level rising above the stratosphere:

Lots of editorial, marketing, and other jobs will vanish. Agents will have fewer places to sell books. Fewer books will be published. Authors will get even less money (if that’s even possible, since some publishers are paying zero advances whenever they can get away with it). And the pontificators will pontificate on what it all means to society (not much, since most of society has already given up on reading books).

Let me repeat “. . . since most of society has already given up on reading books”.

With all my heart, I hope this is another poor use of a generalization. Otherwise that death rattle everyone is claiming to hear is coming from a much more profound and frightening source than the publishing industry. That people are no longer reading books, is one of the most dangerous turns any society can take. One toward a world I cannot imagine, nor do I want to.

Mr. Levin apparently has no problem imagining such a scenario, as he has done it before.

I realize he means that people haven’t stopped reading books but are switching to digitized literature. However, this summation is a slippery slope. First of all, many in society (if we are speaking globally), do not have the means and/or access to the technology required. Secondly, with the advent of DRM, we don’t own the books we purchase as some Kindle owners have found out the hard way.

I don’t know about you, but if I shell out my hard earned money for a book, I never want to worry about waking up in the morning to find it – or any other book – deleted from my eReader without my knowledge or consent.

When I glance over at my home library and see how well stocked it is, I know how lucky I am. When I walk into my local library or bookstore, I appreciate the amount of culture laid before me. I also take a moment to feel grateful as I know that there are still places in the world where the populace doesn’t have this kind of access, if they have any at all.

Books are a cultural treasure and don’t deserve to be set aside so quickly as a dead medium.

For What It’s Worth

Later in the article we get to what I feel is the true reasoning behind why these giants of the trade are (and will) fail:

They had the responsibility to shape society by providing it with books worth reading, to create a cultural legacy for our generation and generations to come. And instead, what did they give us? Ann Coulter, Navy SEALs, and Fifty Shades of Grey.

I cannot disagree with this statement.  I truly believe that the bottom line has become more important than providing a quality product that people want, even demand, and would be willing to pay for. But asking us to shell out an obscene amount of money for a new hardcover or nearly as much for a digital edition is prohibitive – especially in this economy. Just because a book makes the bestseller’s list doesn’t make it a worthwhile purchase. I doubt I’m the only one who reads blogs, talks to friends, and asks the staff at the local independent book store (caveat: I used to work there) to see what they’d recommend before I spend even a dime.

Just as Ruskin said, if it’s worth reading, it’s worth paying for.  The devil is in the details, or in this instance, the quality of the content. Concern about the bottom line carries little weight with a reader. If you want them to buy your product, produce one worth paying for.

The power (and profit) of trust

I found, through the experience of working in a small independent bookstore, trust is a major factor in selling anything, especially a book. The staff, being avid readers, are an excellent source for recommendations. In addition, being such a diverse group, nearly every genre was covered so a customer could be assured they were getting knowledgeable suggestions.

This is why I nearly lost my mind when Mr. Levin says:

You can’t run a successful business selling information in the form of printed books by putting them on trucks to distant cities, hoping that booksellers (anyone who can fog a mirror, run a cash register and repeat the phrase, “We don’t have it but we could order it for you”) will actively work to sell your stuff to people.

Please don’t lump all of us together as mouth-breathing automatons behind the counter. Granted, bookselling zombies do exist, but they are a much rarer creature than you lead your readers to believe. Also, never discount the devotion of readers to their community bookseller. As a matter of fact, there has been an increase in membership with the American Booksellers Association as well as a boost in sales that does not appear to be a fluke. As noted by the CEO of the American Booksellers Association:

We have proven to the industry that our business model is well positioned for the future. Now more than ever, customers appreciate our curated selection, our local ownership and close ties to our towns and cities; our many in-store events and the opportunity to connect face-to-face in our stores with other passionate readers.

The experiences you create everyday in yours stores simply cannot be downloaded or replicated online.

I’ve seen personally what an active and involved Independent seller means to its community, especially to its children. For the store I am associated with, the largest turnover has been, and to this day, remains the children’s section. I can’t see any better hope for publishing and our society than what I see in the faces of kids clutching books tightly to their chests as they leave the store. This is where trust begins. It must be encouraged as they grow out of juvenile fiction, supported while in those tough YA years, and developed completely by the time they wander the fiction aisles.

That is the future of publishing. Plain and simple.

For Whom The Bells Tolls

If the eventual demise of the new entity created by the merger isn’t enough to make one fearful, here is another morsel for thought: “The remaining publishers will find it harder to compete . . . So they’ll fire people, merge, fire more people, and eventually roll over and die.”

Competitors of those that have merged may find it harder to compete and thus fail. Still, it’s not set in stone that they will. This merger may be a wake-up call more than a mortal wound to the entire industry.

Also, if the bell is truly tolling for big publishers, then what about the reader? Unless we can ensure whatever replaces the book is affordable and available to all, what will be the loss to society if the printed word goes by the way of the 8 track?

There is hope and it’s name is Indies. The lesser will become greater if they continue to care about quality over quantity, of this I have no doubt, and I am not the only one:

In any recession, the vanguard is to be found beyond the mainstream – and risks taken by those typically seen as outsiders. Indies, as they always do, will be seen as the risk takers in a climate of doom and gloom, nurturing talent and publishing books not deemed safe enough for the panicky, profit-driven corporations. – Heather Mallick, “Penguin Merger Minuses Could be Pluses For Indies”

If Indies continue to believe in the power of supporting each other as well as authors and producing a quality product, then the blow struck by this merger may not be a fatal one after all.

There is cause to be concerned, but I for one am not ready to give up on books. Not yet. I also believe wholeheartedly in the grassroots power of readers loyal to the printed word. We all have voices either literally or through social media. Be sure you are heard. Our society and our children’s future depends on it.

No pressure. Much.

Sources quoted or used in the research of this article:

Social links powered by Ecreative Internet Marketing